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Искусство Древнего Рима

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Cambridge University Press, 1995. — 375 p. — (Cambridge studies in new art history and criticism). Art and the Roman Viewer presents a fresh analysis of a major intellectual problem in the history of art: why did the arts of Late Antiquity move away from classical naturalism towards spiritual abstraction? Arguing from a close examination of ancient art images and texts, Jas...
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Oxford University Press, 1998. — 297 p. — (Oxford history of art ). This stimulating book offers an exciting new approach to the twin themes of the arts of the Roman Empire and the rise of Christian art. Beginning in the second century, with its rich revival of ancient learning and artistic practices, and ending in the fifth with Christian narrative and liturgical cycles and...
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Cambridge University Press, 2014. — 528 p. Rhetoric was fundamental to education and to cultural aspiration in the Greek and Roman worlds. It was one of the key aspects of antiquity that slipped under the line between the ancient world and Christianity erected by the early Church in late antiquity. Ancient rhetorical theory is obsessed with examples and discussions drawn from...
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Los Angeles: J. Paul Getty Museum, 1981. — 144 p. Portraits, sometimes crude in their realism or gripping in the sense of a living person, were one of the great achievements of Roman Art. The collection of one hundred portraits in the Getty Museum is one of the largest in the world. Dr. Frel surveys the history of Roman portrait art in an often controversial introduction on...
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Oxford University Press, 2005. — 405 p. Statues of important Romans frequently represented them nude. Men were portrayed naked holding weapons. The naked emperor might wield the thunderbolt of Jupiter, while Roman women assumed the guide of the nude love-goddess, Venus. When faced with these strange images, modern viewers are usually unsympathetic, finding them incongruous, even...
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Phaidon Press Limited. 1983. — 322 p. — ISBN: 9780714823010 Extending in time from Early Rome to Late Antiquity, and including the provinces as well as Rome and Italy, the book covers a vast scope, ranging from architecture and painting to jewellery, coins and inscriptions. Richly illustrated and with detailed notes and bibliography, this survey is a comprehensive text for all...
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Wadsworth Publishing, 2010. — 385 pages. A History of Roman Art (Enhanced Edition) is a lavishly-illustrated survey of the art of Rome and the Roman Empire from the time of Romulus to the death of Constantine, presented in its historical, political, and social context. This Enhanced Edition has added coverage on Etruscan art in the beginning of the text. All aspects of Roman...
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Los Angeles: J. Paul Getty Museum, 1988. — 144 p. During the Roman Empire lavish marble monuments to the dead were erected to decorate tombs and cemeteries. A group of these memorials, often so opulent that they required considerable economic sacrifice from the families who commissioned them, is catalogued in this volume.
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Ashgate, 2009. — xii + 231 p., 90 ill. This important book puts forward a new interpretation of Roman decorative art, focusing on the function of decoration in the social context. It examines the three principal areas of social display and conspicuous consumption in the Roman world: social space, entertainment, and dress, and discusses the significance of the decoration of objects...
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New York: The Metropolitan Museum of Art, 2007. — 210 p. This publication, Roman Art: A Resource for Educators, provides a comprehensive introduction informed by recent research for teachers and students eager to explore and understand Rome’s cultural and artistic legacy. As lead author, Associate Museum Educator Nancy Thompson has worked closely with her colleagues in the...
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Frederick A. Praeger Publishers, 1965. — 271 p. — (Ancient Peoples and Places, Vol. 43). The term "Romans" is used here in its widest sense to include not only the inhabitants of Rome and Roman Italy, but all those peoples of the ancient world who looked to Rome as the center of their government and culture, from the time of her first territorial acquisitions outside Italy until...
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Wiley-Blackwell, 2015. — 408 р. — ISBN 978-1444330267. A History of Roman Art provides a wide-ranging survey of the subject from the founding of Rome to the rule of Rome's first Christian emperor, Constantine. Incorporating the most up-to-date information available on the topic, this new textbook explores the creation, use, and meaning of art in the Roman world....
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Belknap Press of Harvard University Press, 1968. — 586 p. The broad nature of Roman art is well known. Artistic developments from the Early Republic to Late Antiquity have been studied on a general basis and on the basis of trends in the provinces, influences on the main current of Greco-Roman classicism, and the emergence of new vocabularies in the late third century a.d. Still,...
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New York: The Metropolitan Museum of Art, 1977. — 100 p. Собрание предметов искусства поздне-римского периода из музея The Metropolitan Museum of Art. Текст на английском.
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Кн. для учащихся. — М.: Просвещение, 1996. — 224 с.: ил. Это оригинальное издание по курсу «Мировая художественная культура» продолжает рассказ об античном искусстве, начатый в книге того же автора «Искусство Древней Эллады». Книга познакомит вас с искусством Древнего Рима (эпохи Августа), научит видеть, понимать, анализировать различные произведения искусства. В конце книги...
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М.: Искусство, 1983. — 155 с. От Септимия Севера до Диоклетиана в римской культуре III века в философии, религии, литературе, в архитектуре, живописи, мозаиках, рельефах, глиптике происходила решительная ломка античных форм и совершался переход к новым средневековым принципам воплощения действительности. Скульптурный портрет наиболее полно отразил тогда и тщетные попытки вернуться...
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