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Kronland-Martinet R., Ystad S., Jensen K. (eds.) Computer Music Modeling and Retrieval. Sense of Sounds

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Kronland-Martinet R., Ystad S., Jensen K. (eds.) Computer Music Modeling and Retrieval. Sense of Sounds
Berlin: Springer, 2008. — 518 p.
This book constitutes the thoroughly refereed post-conference proceedings of the 4th International Computer Music Modeling and Retrieval Symposium, CMMR 2007, held in Copenhagen, Denmark, in August 2007 jointly with the International Computer Music Conference 2007, ICMC 2007.
The 33 revised full papers presented were carefully selected during two rounds of reviewing and improvement. Due to the interdisciplinary nature of the area, the papers address a broad variety of topics in computer science and engineering areas such as information retrieval, programming, human computer interaction, digital libraries, hypermedia, artificial intelligence, acoustics, signal processing, etc. CMMR 2007 has put special focus on the Sense of Sounds from the synthesis and retrieval point of view. This theme is pluridisciplinary by nature and associates the fields of sound modeling by analysis, synthesis, perception and cognition.
Contents :
Front Matter
Fifty Years of Computer Music: Ideas of the Past Speak to the Future
Music Cognition: Learning, Perception, Expectations
Capturing Expressive and Indicative Qualities of Conducting Gesture: An Application of Temporal Expectancy Models
Musicians Outperform Nonmusicians in Speech Imitation
Cognitive Styles and Computer-Based Creativity Support Systems: Two Linked Studies of Electro-acoustic Music Composers
The Usability of Music Theory Software: The Analysis of Twelve-Tone Music as a Case Study
Understanding Emotion in Raag : An Empirical Study of Listener Responses
The Artistic Play of Spatial Organization: Spatial Attributes, Scene Analysis and Auditory Spatial Schemata
Semiotics of Sounds Evoking Motions: Categorization and Acoustic Features
Exploring Perceptual Based Timbre Feature for Singer Identification
Cognitive Implications of Musical Perception
A Meta-analysis of Timbre Perception Using Nonlinear Extensions to CLASCAL
Real-Time Analysis of Sensory Dissonance
Multimodal Design for Enactive Toys
Psychoacoustic Manipulation of the Sound-Induced Illusory Flash
On Cross-Modal Perception of Musical Tempo and the Speed of Human Movement
Between Mapping, Sonification and Composition: Responsive Audio Environments in Live Performance
Retrieving and Recreating Musical Form
Placement of Sound Sources in the Stereo Field Using Measured Room Impulse Responses
Rule-Based Expressive Modifications of Tempo in Polyphonic Audio Recordings
Exploring the Perceptual Relevance of Inherent Variability of Drum Sounds
Improving Musical Expressiveness by Time-Varying Brightness Shaping
NN Music: Improvising with a ‘Living’ Computer
A Real-Time Genetic Algorithm in Human-Robot Musical Improvisation
A Musical Framework with Swarming Robots
Emergent Rhythms through Multi-agency in Max/MSP
Experiencing Audio and Music in a Fully Immersive Environment
A Network-Based Framework for Collaborative Development and Performance of Digital Musical Instruments
The ImmApp: A Digital Application for Immersive Interaction with Sound Art Archives
BioTools: A Biosignal Toolbox for Composers and Performers
Focus-Plus-Context Audio Interaction Design
Maps and Legends : Designing FPS-Based Interfaces for Multi-user Composition, Improvisation and Immersive Performance
DECONcert: Making Waves with Water, EEG, and Music
Back Matter
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