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Boulanger R. (ed.) The Csound Book: Perspectives in Software Synthesis, Sound Design, Signal Processing, and Programming

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Boulanger R. (ed.) The Csound Book: Perspectives in Software Synthesis, Sound Design, Signal Processing, and Programming
Boston: The MIT Press, 2000. — 782 p. — ISBN-10: 0262522616; ISBN-13: 978-0262522618
Created in 1985 by Barry Vercoe, Csound is one of the most widely used software sound synthesis systems. Because it is so powerful, mastering Csound can take a good deal of time and effort. But this long-awaited guide will dramatically straighten the learning curve and enable musicians to take advantage of this rich computer technology available for creating music. Written by the world's leading educators, programmers, sound designers, and composers, this comprehensive guide covers both the basics of Csound and the theoretical and musical concepts necessary to use the program effectively. The thirty-two tutorial chapters cover: additive, subtractive, FM, AM, FOF, granular, wavetable, waveguide, vector, LA, and other hybrid methods; analysis and resynthesis using ADSYN, LP, and the Phase Vocoder; sample processing; mathematical and physical modeling; and digital signal processing, including room simulation and 3D modeling.
Supplemental Content is available here.
Contents
Foreword. Barry Vercoe
Preface. Max Mathews
Introduction
How to Use This Book
Csound Fundamentals
Imitative Synthesis
Algorithmic Synthesis
Mathematical Models
Understanding Signal Processing through Csound
Delay, Chorus, Reverberation, and 3D Audio
Working with Csound's Signal Processing Utilities
Modeling Commercial Signal Processing Applications
Adding Opcodes
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