Springer, 2015. — 223 p. — (Computational Music Science). — ISBN: 9783319112350, EISBN: 9783319112367The mathematical theory of counterpoint developed by Guerino Mazzola around 1984 was originally aimed at simulating the composition rules described in Johann Joseph Fux’s Gradus ad Parnassum. It soon came out that the algebraic appa- ratus used in this model could also serve to deﬁne entirely new systems of rules for composition. Those are generated by new choices of consonances and dissonances, which in turn lead to new restrictions governing the succession of intervals.
Чтобы скачать этот файл зарегистрируйтесь и/или войдите на сайт используя форму сверху.